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Rose Wylie 로즈 와일리
80,000원
Lund Humphries
270*249mm, 160p

개인결제창을 통한 결제 시 네이버 마일리지 적립 및 사용이 가능합니다.

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수량증가 수량감소 80000 (  )
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" 전 직접적으로 표현하는 걸 좋아해요.
고상한 척 하는 건 질색이에요. "

현대 미술계에서 가장 핫한 86세 최고령 작가
로즈 와일리의 작품집.

단발머리에 미니스커트를 입고 대형 캔버스 앞에서 붓을 잡는 로즈 와일리.
일상을 표현하는 그녀의 작품은 순수하고 천진하며, 에너지가 넘친다.
로즈 와일리의 자유와 용기는 이 시대의 새로운 현대미술의 길을 제시한다.

그녀의 철학은 단순합니다. 그림을 그저 그림으로 바라보는 것.
직설적이고 뚜렷한 그녀의 작품은 세상에 아무도 그리지 않는 자신만의 그림 언어를 찾기 위해 오늘도 그립니다.

* 로즈 와일리 展 - 예술의 전당 소개문 발췌


원문소개

The first book to trace the extraordinary career of painter Rose Wylie, whose work prompted critic Jonathan Jones to state: 'The freedom and courage of Rose Wylie shows a way forward for painting in this century'

Rose Wylie's international exhibitions programme includes recent solo shows in New York, Germany, Moscow, Norway, Seoul, and at CAC Malaga. In the UK she has enjoyed major exhibitions at Tate Britain and the Serpentine Gallery as well as being featured in the RA Summer Exhibition 2018 with an installation along Bond St

Tate curator Clarrie Wallis's text draws out the central themes running through Wylie's paintings, from the way in which drawing informs her work to the presence of narrative, language and the figure in her paintings


DESCRIPTION
Rose Wylie RA (b.1934) trained as an artist in the 1950s, but it was her re-engagement with painting in the early 1980s, after a period spent raising a family, that marked the beginning of a remarkable career that continues to evolve and impress. This monograph, the first of its kind, follows Wylie's fascinating artistic journey, celebrating her achievements while also examining her current practice.

Rose Wylie's large-scale paintings are inspired by a wide range of visual culture. Her subject-matter ranges from contemporary Egyptian Hajj wall paintings and Persian miniatures to films, news stories, celebrity gossip and her observation of daily life. Often working from memory, she distills her subjects into succinct observations, using text to give additional emphasis to her recollections. In weaving together imagery from different sources with personal elements, Wylie's paintings offer a direct and wry commentary on contemporary culture. Her pictures refuse judgment but reveal a concern with the everyday that makes visible its enigmatic core.

Drawing on a series of extended interviews with the artist, Clarrie Wallis unpicks the complexities of Wylie's visual language, so providing an important contribution to our understanding and appreciation of a significant and increasingly celebrated figure in contemporary British art.